Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

English Romantic Poetry. An Anthology — 2013

Rich selection of 123 poems by 6 great English Romantic poets: William Blake (24 poems), William Wordsworth (27 poems), Samuel Taylor Coleridge (10 poems), Lord Byron (16 poems), Percy Bysshe Shelley (24 poems) and John Keats (22 poems). Introduction and brief commentaries on the poets

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Ïîäðîáíàÿ èíôîðìàöèÿ

Øåäåâðû áðèòàíñêîé ïîýçèè — 2012 (Áèëèíãâà) (Ñëóøàåì, ÷èòàåì, ïîíèìàåì)

 ýòîì óíèêàëüíîì ñáîðíèêå âû íàéäåòå ëó÷øèå ïðîèçâåäåíèÿ ìàñòåðîâ áðèòàíñêîé ïîýçèè, à òàêæå èõ êëàññè÷åñêèå ïåðåâîäû íà ðóññêèé ÿçûê, âûïîëíåííûå ðîññèéñêèìè ïîýòàìè. Íåàäàïòèðîâàííûå òåêñòû ïîçâîëÿò ÷èòàòåëÿì â ïîëíîé ìåðå îöåíèòü ïðîèçâåäåíèÿ âåëèêèõ ïîýòîâ, à êëàññè÷åñêèå ïåðåâîäû ïîìîãóò ðàçðåøèòü âîçíèêàþùèå ïî õîäó ÷òåíèÿ âîïðîñû è òðóäíîñòè è íàó÷èòüñÿ ïåðåâîäèòü ñàìûå ñëîæíûå ôðàçû è îáðàçû. ×èòàÿ è ñëóøàÿ âåëèêîëåïíóþ ïîýçèþ íà àíãëèéñêîì ÿçûêå, îáðàùàÿñü ê ïðåêðàñíûì ïåðåâîäàì, âû óëó÷øèòå ñâîè íàâûêè ÷òåíèÿ è âîñïðèÿòèÿ íà ñëóõ èíîÿçû÷íîé ðå÷è.Êíèãà áóäåò èíòåðåñíà è ïîëåçíà øêîëüíèêàì, àáèòóðèåíòàì, ñòóäåíòàì, ïðåïîäàâàòåëÿì, à òàêæå âñåì, êòî èçó÷àåò àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Ñîäåðæàíèå: Ñîäåðæ. ïðîèçâåäåíèÿ àâò.: Ó. Øåêñïèð, Ó. Áëåéê, Ð. Áåðíñ, Ó. Âîðäñâîðò, Ä.Ã. Áàéðîí, Ï.Á. Øåëëè, Ä. Êèòñ, Î. Óàéëüä, Ä.Ð. Êèïëèíã

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Ïîäðîáíàÿ èíôîðìàöèÿ

Áëåéê Ó., Ïåñíè íåâèííîñòè è îïûòà — 2010

"Ïåñíè íåâèííîñòè è îïûòà" Óèëüÿìà Áëåéêà ïî ïðàâó ñ÷èòàþòñÿ øåäåâðîì àíãëèéñêîé ëèòåðàòóðû. Çà âíåøíåé ïðîñòîòîé òåêñòîâ òàèòñÿ ãëóáîêèé ôèëîñîôñêèé ñìûñë è ïðîâèä÷åñêàÿ ìóäðîñòü àâòîðà. Íî ýòî íå òîëüêî ëèòåðàòóðíûé øåäåâð, "Ïåñíè íåâèííîñòè è îïûòà" çàíèìàþò âàæíîå ìåñòî â èñòîðèè çàïàäíîãî èçîáðàçèòåëüíîãî èñêóññòâà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

100 Favorite English and Irish Poems — 2006

Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

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Ïîäðîáíàÿ èíôîðìàöèÿ

Bloom H., The Best Poems of the English Language — 2004

The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)

Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ,Äæåðîì Ê. Äæåðîì, Àðóòð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

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Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of English Verse — 1983

The penguin book of english verse.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Áëåéê Ó., Ñòèõè. [íà ðóññêîì è àíãëèéñêîì ÿçûêàõ]. [ñáîðíèê] — 1982

Èìÿ àíãëèéñêîãî ïîýòà è õóäîæíèêà Óèëüÿìà Áëåéêà õîðîøî çíàêîìî ñîâåòñêîìó ÷èòàòåëþ. Íàñòîÿùèé ñáîðíèê äàåò âîçìîæíîñòü è îöåíèòü òâîð÷åñòâî àíãëèéñêîãî ðîìàíòèêà â îðèãèíàëå, è ïîçíàêîìèòüñÿ ñ ïåðåâîäàìè ñòèõîâ Áëåéêà, ñäåëàííûìè ñîâåòñêèìè ïîýòàìè è ïåðåâîä÷èêàìè - Ñ. Ìàðøàêîì, Â. Òîïîðîâûì, À. Ñåðãååâûì, Â. Ìèêóøåâè÷åì è äð.  èçäàíèè ïðåäñòàâëåíû «Ïåñíè Íåâåäåíèÿ è Ïîçíàíèÿ», ñòèõè ðàçíûõ ëåò, ïîýìû «Áðàêîñî÷åòàíèå Ðàÿ è Àäà», «Ôðàíöóçñêàÿ ðåâîëþöèÿ», «Àìåðèêà», «Åâðîïà» è äð. Èçäàíèå, ñîïðîâîæäàåìîå âñòóïèòåëüíîé ñòàòüåé è êîììåíòàðèÿìè ê òåêñòó, ïðîèëëþñòðèðîâàííîå ðèñóíêàìè ñàìîãî ïîýòà, ïðåäíàçíà÷àåòñÿ äëÿ ñàìûõ øèðîêèõ êðóãîâ ëþáèòåëåé ïîýçèè

Ñîäåðæàíèå: [Ñîäåðæàíèå íà ðóññêîì è àíãëèéñêîì ÿçûêàõ]: À.Ì. Çâåðåâ. Âåëè÷èå Áëåéêà (ñ. 5); Ñòèõè: Èç êíèãè (ñ. 48); Ñòèõè èç «Îñòðîâà íà ëóíå» (ñ. 86); Ïåñíè Íåâåäåíèÿ (ñ. 96); Ïåñíè Ïîçíàíèÿ (ñ. 146); Èç «Ìàíóñêðèïòà Ðîññåòòè». 1789-1793 (ñ. 208); 1800-1803 (ñ. 258); 1808-1811 (ñ. 276); Ìàíóñêðèïò Ïèêåðèíãà. 1800-1803 (ñ. 300); Êíèãà Òýëü. Ïåðåâîä Ñ.ß. Ìàðøàêà (ñ. 340); Áðàêîñî÷åòàíèå Ðàÿ è Àäà. Ïåðåâîä À.ß. Ñåðãååâà (ñ. 350); Âåäåíèÿ äùåðåé Àëüáèîíà. Ïåðåâîä À.ß Ñåðãååâà (ñ. 384); Ôðàíöóçñêàÿ ðåâîëþöèÿ. Ïåðåâîä Â.Ë. Òîïîðîâà (ñ. 402); Àìåðèêà. Ïðîðî÷åñòâî. Ïåðåâîä Â.Ë. Òîïîðîâà (ñ. 442); Åâðîïà. Ïðîðî÷åñòâî. Ïåðåâîä Â.Ë. Òîïîðîâà (ñ. 466); Èç ïîýìû «Ìèëüòîí». Ïåðåâîä. Ñ.ß. Ìàðøàêà (ñ. 490); À.Ì. Çâåðåâ. Êîììåíòàðèè (ñ. 497); Äàòû æèçíè è òâîð÷åñòâà Áëåéêà (ñ. 556)

Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêàÿ ïîýçèÿ â ðóññêèõ ïåðåâîäàõ (XIV-XIX âåêà). [ñáîðíèê] — 1981

 àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

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Ïîäðîáíàÿ èíôîðìàöèÿ

Blake W., Poems of William Blake — 1979

William Blake is a poet without parallel, whoPremains a source of wisdom and inspiration to countless individuals throughout the world. This selection was commissioned in 1905 by the firm of George Routledge from W.B. Yeats, who had previously been one of the pioneer editors of Blake's prophetic books. Yeats, one of the few poets whose work could be compared with that of Blake, prepared a unique selection of his poetic and prose writings. There is no better way to encounter the work of one poetic genius than as it is presented by another, and Yeats understood Blake in a way few others did.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Blake W., The Complete Poems — 1977

One of the great English Romantic poets, William Blake (1757-1827) was an artist, poet, mystic and visionary. His work ranges from the deceptively simple and lyrical Songs of Innocence and their counterpoint Experience - which juxtapose poems such as 'The Lamb' and 'The Tyger', and 'The Blossom' and 'The Sick Rose' - to highly elaborate, apocalyptic works, such as The Four Zoas, Milton and Jerusalem. Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

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Ïîäðîáíàÿ èíôîðìàöèÿ

An Anthology of English and American Verse — 1972

Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

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Ïîäðîáíàÿ èíôîðìàöèÿ

An Antology of English and American Verse — 1972

Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Ìàðêèí Þ., Ìîè ïåðâûå øàãè â äæàçå: ôîðòåïüÿííûå ïüåñû: ×àñòü 1, 2 — 2006

Ñîäåðæàíèå: ×àñòü 1. Èç ðåïåðòóàðà Êàóíòà Áýéñè: Jive at Five; Basie Blues; Swingin' the Blues; Sent for You Yesterday/ C. Basie. Teddy the Toad; Li'l Darlin'/ N. Hefty. Ets. ×àñòü 2. Äæàçîâûå ñòàíäàðòû: Basin Street Blues/ S. Williams. Down by the Riverside. Saint Louis Blues/ W. Hendy. Dear Old Southland/ T. Layton. Jersey Jump/ B. Rayle. Just You Just Me/ L. Young. Ets.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ðåçíèêîâà Í. Â., Î ïðîøëîì ïî-àíãëèéñêè — 2015

Îñíîâó ó÷åáíèêà ñîñòàâëÿþò îðèãèíàëüíûå òåêñòû èñòîðèêî-êóëüòóðíîãî ñîäåðæàíèÿ. Êàæäûé òåêñò ñîïðîâîæäàåòñÿ êîìïëåêñîì ëåêñèêî-ãðàììàòè÷åñêèõ óïðàæíåíèé è êîììåíòàðèåì ê òåðìèíîëîãè÷åñêèì è ñòèëèñòè÷åñêèì îñîáåííîñòÿì ìàòåðèàëà. Ó÷åáíèê ïðåäíàçíà÷åí äëÿ èçó÷åíèÿ àíãëèéñêîãî ÿçûêà íà ïðîäâèíóòîì ýòàïå è ñîîòâåòñòâóåò ïðîãðàììàì ïî èíîñòðàííûì ÿçûêàì äëÿ íåÿçûêîâûõ âóçîâ Ìèíèñòåðñòâà îáùåãî è ïðîôåññèîíàëüíîãî îáðàçîâàíèÿ ÐÔ. Ó÷åáíèê ðàññ÷èòàí íà ñòóäåíòîâ ñòàðøèõ êóðñîâ èñòîðè÷åñêèõ ôàêóëüòåòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ìàãèñòðîâ è àñïèðàíòîâ. Åãî ìîæíî èñïîëüçîâàòü êàê ïðàêòè÷åñêîå ïîñîáèå äëÿ äðóãèõ ãóìàíèòàðíûõ íàïðàâëåíèé - êóëüòóðîëîãèè, èñòîðèè ìåæäóíàðîäíûõ îòíîøåíèé, ñîöèîëîãèè è íà ïåðåâîä÷åñêèõ îòäåëåíèÿõ ãóìàíèòàðíûõ ôàêóëüòåòîâ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

100 Best-Loved Poems — 1995

Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others. Includes 13 selections from the Common Core State Standards Initiative

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Blake W., The Portable Blake — 1977

''One of the most prophetic and gifted rebels in the history of Western man-a man peculiarly of our time'' is the way Alfred Kazin describes William Blake.His strange, many-faceted genius is given full representation in rich array in the 728 pages of this ''delightful, comfortable to hold, beautifully printed'' volume. This ''prophetic and gifted rebel'', Blake, spent his own days, until his death at seventy years in 1827, in comparative poverty and isolatuin in the heart of an indifferent London.Much of the subsequent literary criticism, while granting Blake's immenese stature, obscured him in the fog of mysticism. Actually, the keystone of Blake's creative work is not mysticism, but vision, and his deepest concern was ''that he should get all his vision down, through all the arts open to him...''That vision shines afresh in Blake's poetry, prose, and drawings in this book, further illuminated by Alfred Kazin's brilliant introduction.Also included is ''From Crabb Robinson's Reminiscences'',a chronology of Blake's life and work, and an index of titles and first lines of the poems

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Blake W., Poems (Vintage Classics)

Writer and religious rebel, William Blake ((1757-1827) sowed the seeds for Romanticism in his innovative poems concerning faith and the visions that inspired him throughout his life. Whether describing his own spirituality, the innocence of youth or the corruption caused by mankind, his writings depict a world in which spirits dominate and the mind is the gateway to Heaven. This collection of his greatest works spans his entire poetic life from the early, exquisite lyrics of Poetic Sketches to his Songs of Innocence and Experience - a compelling exploration of good and evil. Together, they illuminate a self-made realm that has fascinated artists and poets as diverse as Wordsworth, Coleridge, Yeats and Ginsberg

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Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêàÿ ëèòåðàòóðà. Ëó÷øèå ñòðàíèöû. ó÷åáíîå ïîñîáèå ïî àíãëèéñêîé ëèòåðàòóðå — 2001

Äàííîå ó÷åáíîå ïîñîáèå âêëþ÷àåò â ñåáÿ ïðîèçâåäåíèÿ, ïîäîáðàííûå â ñîîòâåòñòâèè ñ òðåáîâàíèÿìè Ìîñêîâñêîé ðåãèîíàëüíîé ïðîãðàììû "Õóäîæåñòâåííàÿ ëèòåðàòóðà" äëÿ øêîë ñ óãëóáëåííûì èçó÷åíèåì èíîñòðàííîãî ÿçûêà, ãèìíàçèé è ëèíãâèñòè÷åñêèõ ëèöååâ.  êîììåíòàðèÿõ ê òåêñòàì äàíû ëèòåðàòóðíî-ñòðàíîâåä÷åñêèå ñâåäåíèÿ è çàäàíèÿ. Êíèãà àäðåñîâàíà ó÷èòåëÿì, ó÷àùèìñÿ, à òàêæå øèðîêîìó êðóãó ëèö, èçó÷àþùèõ àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

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